Thursday, November 27, 2014
Friday, February 7, 2014
Monday, January 27, 2014
Sunday, December 8, 2013
Wednesday, December 4, 2013
We Are Living on a Star, opening at Henie Onstad Kunstsenter January 2014
We Are Living on a Star, curated by Tone Hansen and Marit Paasche, opening 30 January 2014 at Henie Onstad Kunstsenter in collaboration with Fritt Ord Foundation. The title comes from the tapestry of Hannah Ryggen from 1958 that was hanging in the Norwegian government building and that suffered a tear in its lower part during the bombing in 2011. The project investigates the concepts of normality, collective values and freedom of speech. During and after the trial against Anders Behring Breivik, Norway was encompassed in a larger debate about his sanity and responsibility, about normality and the soundness of the mind. Normality, however, is far more than the opposite of insanity. The normative intervenes in all parts of society and regulates all our actions; it defines what is natural.
Participating artists: Burak Arikan, Doug Ashford, Julian Blaue, Martin Braathen in collaboration with Marius Engh and Even Smith Wergeland, Marthe Ramm Fortun, Hanne Friis, Else Marie Hagen, Silje Linge Haaland, Per-Oskar Leu, Lotte Konow Lund, Jumana Manna, Eline McGeorge, Eva Rothschild, Hannah Ryggen, Ahlam Shibli, and Javier Téllez.
Participating artists: Burak Arikan, Doug Ashford, Julian Blaue, Martin Braathen in collaboration with Marius Engh and Even Smith Wergeland, Marthe Ramm Fortun, Hanne Friis, Else Marie Hagen, Silje Linge Haaland, Per-Oskar Leu, Lotte Konow Lund, Jumana Manna, Eline McGeorge, Eva Rothschild, Hannah Ryggen, Ahlam Shibli, and Javier Téllez.
Image curtesy of Ana Maria Bresciani |
Image curtesy of Ana Maria Bresciani |
Image curtesy of Ana Maria Bresciani |
Thursday, November 28, 2013
Sunday, May 19, 2013
Launch of the Torpedo Bookstore satellite at Kunstnernes hus, Oslo 18/4 2013
Thatcher Variations #1: In a site specific performance, Marthe Ramm Fortun will
load the new Torpedo bookshelves with temporal texts and shapes, found objects
and happenstance to create a heterotopic pirate ship, heavy with stolen goods. Drawing
on a collective unconscious, she trusts the audience to follow her in making
fluid connections between a selection of Torpedo books and the distinct
architecture and institutional context of Kunstnernes Hus.
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